Monday, July 31, 2006

Beating Bombs Into Plowshares


"An unusual chair currently tours Great Britain. Look carefully and you'll see its constituent parts: Portuguese rifles and Russian AK-47s collected after Mozambique's 16-year civil war ended in 1992. Throne of Weapons, by an artist named Kester, is one of dozens of sculptures made from firearms by members of the Maputo, Mozambique-based collective Nœcleo de Arte." Read the rest of Chris Dodge's Utne Reader article here. The chair on the left is "The Chair of the African King" by the artist Gonçalo.

The Album Cover's Evolution


Interesting article by Alice Rawsthorn on the history and the continuing evolution of the album cover, which looks to be about to head in new and interesting directions: "The musician David Byrne reckons that the role of the graphic designer will change from creating a couple of iconic images to represent the band and their music for album and singles covers, to inventing compelling ways of packaging all of this imagery and information for the listener." Be sure to check out the accompanying slide show of memorable covers, too. That's the (English edition of) The Kick Inside on the left - the debut album by Kate Bush - which was a memorable album cover (and album) for me. Crazy and wonderful, just like the music.

Sunday, July 30, 2006

Dada


The distinguished Charles Simic has written a wide ranging review of the exhibition catalogue for the huge Dada exhibit currently on tour. Not just a review of the show, but an excellent overview of the entire Dada movement, too. Read it here on the New York Review of Books website.

Friday, July 28, 2006

Scandinavian Design Centre


A wonderful website, filled with both classic and brand new design from, well, Scandinavia. The lovely "Tilde" textile shown here is by the designer Gunilla Lagerhem Ullberg.

Thursday, July 27, 2006

Flip Books


"From the pre-motion picture era to the origins of animation, cinema and modern entertainment, flip books are recognized as one of the earliest forms of what today is referred to as 'interactive multimedia'." A fun website, and what I'd be doing instead of Flash, if I'd been in the biz oh, around 100 years ago...

Friday, July 21, 2006

Vacation


It's vacation time, and a few days at the lake are in order. Here's an interesting link about the history of the vacation in France to ponder while lazing by the water, and a lake picture I took last summer, too.

The Wire

The Wire on CBC Radio has a fascinating series on right now called The Impact of Electricity on Music. Episode 2 tonight featured interviews with Steve Reich, Karlheinz Stockhausen, Holger Czukay, and David Pritchard. Loaded with great sounds, great music, and great ideas.

Wednesday, July 19, 2006

Now Everyone's an Artist


"London's contemporary art behemoth, Tate Modern, is sponsoring a photographic exhibition to which amateurs are actively encouraged to contribute." Read Kate Burt's Guardian Unlimited article here.

Andrew was telling me about a CBC radio story he heard earlier this week, discussing how the rise of Flickr, YouTube and MySpace have done serious damage to the editorial photography industry. A New York stock photographer profiled on the program saw his income gradually halved over the last five years, due to the increased use of cheap downloads.

50 Ways to Become a Better Designer

Or, a better illustrator. Or any professional creative, for that matter. Read here for insights from leading designers.

Canadian Museums Endangered

A worrying story from the CBC. "Canada is in danger of losing several of its museums because of a funding freeze that has lasted 34 years, says the Canadian Museums Association."

Monday, July 17, 2006

Bad Design Kills

A great website with a great message. As they say in their synopsis: "The world is filled with ‘bad design.’ As professionals we notice it every day and the non-designer sees it as well, but usually never recognizes it as such. We hope that the content on this site helps to change that." As they point out, bad design isn't simply about its aesthetics, but also a matter of poor communication. One extreme example they cite is the tragic 1996 Dusseldorf airport fire. There were 17 deaths and 62 injured, largely due to smoke inhalation, because they could not find their way out. Investigators later determined that the poor signage, viewed under such stressful circumstances, was a leading factor in the tragedy.

Sunday, July 16, 2006

Good Night and Good Luck


Finally had a chance to see the film Good Night and Good Luck, which was wonderful. A lovingly crafted film, with the passion for its message and time period glowing in every frame. Go see it.

Thursday, July 13, 2006

Paint Like Pollock On Your Computer!

This is an utterly cool website. Have fun, and don't forget to click your mouse occasionally to change your paint colour!

Is a Scent Like a Song?


Interesting story in the New York Times by Elaine Sciolino about the move in France to consider "noses" in perfumeries as artists rather than artisans. "The distinction is not an abstraction. Legally, it is more about money than about art. At stake are potential royalties for perfume makers (a k a noses) and profits and protection for manufacturers during the life of a fragrance."

With all the difficulties facing illustrators and other creatives these days, it's interesting to hear about similar debates in other creative fields.

Musée du Quai Branly: Brow-Slappingly Wrongheaded

Interesting article by Michael Kimmelman about the uproar over the new Musée du Quai Branly in Paris. From all accounts so far, it's a bit of a mess. Kimmelman at one point says, "If the Marx Brothers designed a museum for non-European cultures, they might have come up with the permanent-collection galleries: Devised as a spooky jungle, red and black and murky, the objects in it chosen and arranged with hardly any discernible logic, the place is briefly thrilling, as spectacle, but brow-slappingly wrongheaded."

Wednesday, July 12, 2006

The Canadian Design Resource


The Canadian Design Resource site aims to "expose and nurture the material culture of Canada." Have a look at their online gallery of Canadian-designed furniture, graphics, ceramics, electronics, and more. The poster shown here was designed by Montreal's Seripop in 2002.

Tuesday, July 11, 2006

Ladislas Starewicz


Check out this early (1934) animated film by Russian great Ladislas Starewicz, called The Devil's Ball. A bit of a mind bender, as it alternates without warning between being funny and being disturbing.

The Man Behind the Man Behind Oz


Profile by Michael Patrick Hearn of W. W. Denslow, the original illustrator of Frank Baum's Wizard of Oz books. "The poet Eunice Tietjens described him as ‘a delightful old reprobate who looked like a walrus.’” Be sure to check out the accompanying gallery of his work, too.

The Intergalactic Mashup King


"Werner Herzog’s new film, The Wild Blue Yonder, is the world’s first undersea outer-space sci-fi documentary." Judging from the review in Wired, it sounds like another weird and wonderful Herzog experience is in store for us. Can't wait.

Monday, July 10, 2006

The Museum Will Be Podcast

"Thanks to podcasting, it's becoming as easy to download a museum visit onto a portable digital audio player as it is a pop tune. And museums, realizing this is a way to reach a younger generation of potential patrons, are racing to get involved. They are making their in-house audio tours of special exhibits, as well as original programming, available on their websites for free use on iPods and other MP3 players. And art lovers can listen through their home computers as well. There's even a newly coined term for the phenomenon - 'artcasting'." Read the rest of Steven Rosen's Denver Post article here.

Some museum podcast links:

The Museum of Modern Art
Victoria and Albert Museum
Delta Blues Museum

Summer


It's a hot and muggy day today, and therefore a perfect day to be at the lake. This is a photo I took of the canoe while we were there last summer. I'm particularly happy with the way the reflected clouds in the water turned out.

Thursday, July 06, 2006

Czech Book Covers


Stephen Van Dyk, curator of books at the Cooper-Hewitt National Design Museum, has uploaded his collection of beautiful Czech book covers from the 1920's and 1930's. Lovely work. The Constructivist cover shown on the left is for the book Almanac 1 of Poetry and Life 1920-1930, published in 1930. Interestingly, Stanislav Odvarko not only designed the cover, but edited the poetry inside as well.

The Helium Roof


"A helium roof that rises and falls with the weather? Rem Koolhaas's Serpentine Pavilion is a joyous extravagance, says Steve Rose." Read Rose's intriguing Guardian article here.

Wednesday, July 05, 2006

New Work


This is the second of the two illustrations I recently completed for the Milken Institute Review in California, for an article adapted from the book "Making Great Decisions" by Charles Cooper, a decision theorist, and David Henderson, an economist at the Naval Postgraduate School in Monterey.

Tuesday, July 04, 2006

The Quest for Perfection


Loathed by goalkeepers, the new soccer ball designed by Adidas for the 2006 World Cup is yet another round in the quest for kicking perfection.

Orphan Works Bill: Impact on Design

The Illustrators' Partnership writes: "Artists and photographers aren’t the only professionals threatened by the Orphan Works Bill. Countless small businesses will be hurt. Copyright Attorney Megan E. Gray represents textile designers, sculptors and other visual artists who license their work to various industries. She is affiliated with Roylance, Abram, Berdo & Goodman, L.L.P." Her letter to creators follows.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Because I am a copyright attorney, I have been following the Orphan Works bill, and have been astonished at how few companies are aware of it, even those who have built their business on the exploitation of visual designs.

In the briefest summary, the Orphan Works legislation gives your competitors, customers, and anyone else the right to use your design so long as they had reason to think it wasn't copyrighted. If you catch them, you might only be entitled to a trivial monetary payment.

Currently, under the Copyright Act, if someone copies your design, you are entitled to that competitor's net profits from the infringement. And, if you registered the design prior to the infringement, you are entitled to statutory damages (as high as $150,000) and recovery of your attorneys fees (which can be massive). These monetary penalties are intentionally high in order to provide a solid disincentive to infringers and a serious incentive to original designers. For years, the guiding principle in the design world has been "if you didn't create it, don't use it." With this new legislation, that principle will be turned on its head.

Under the "Orphan Works" proposal, if someone copies your design, if that person didn't know that the design was yours (for example, if a big company orders a million shirts with your design from a Chinese manufacturer who fraudulently showed your design as part of its open line, claiming that it is public domain), then all you could ever get is "reasonable compensation."

This could very well be peanuts, notwithstanding that the infringer made a massive profit on the shoddy items bearing replicas of your design (apparel, stationary, holiday cards, shower curtains, pillows, you-name-it). And you will never recover your attorneys fees or have the option of statutory damages, not even if you went to the trouble of registering your copyright years ago, and regardless of whether you have always placed the © notice on your product.

Further, if you and the infringer disagree on what "reasonable compensation" is, you may be hard-pressed to litigate the matter, because your attorneys fees may end up being greater than what you could get as a "reasonable compensation." So, you'll likely just have to take whatever is offered to you, and have no ability to negotiate a higher sum.

And, keep in mind, any promises of exclusivity of a particular design you make to a customer will be a sham.

Museums and libraries created the "Orphan Works" legislation so that they could create exhibits and souvenirs with photographs, music, books, etc., whose copyright owners could not be identified. Their fear was that, notwithstanding their effort to find the copyright owner, that person would suddenly crawl out of the woodwork and demand high monetary damages based on the infringing exhibits/souvenirs. There isn't any fundamental objection to providing protection against that situation. But the legislation is so broadly drafted, it isn't limited to that scenario - the legislation applies to all copyrighted works, all commercial uses, and all users/infringers. The breadth of the legislation is particularly horrifying in the context of visual art, like textile design, because of the overwhelming amount of infringing material found in the most common manufacturing locales, like Asia.

Proponents of the legislation say that you can protect your copyright by making it easy for you to be found, to make it easy for anyone to know that a design is yours. How is this to be done?

Well, the legislators say that all you need to do is "just" digitize and create an online database of each and every visual design that you own or hereafter create, and publicize that database in numerous trade magazines in a variety of industries, or perhaps "just" create a new trade association comprising all the visual artists in the country (jewelers, tattoo artists, photographers, ceramic tile companies, wrapping paper companies, carpet designers, etc.) and, through that organization, digitize everyone's designs and have a single, unified online database, searchable by scanned designs. In other words, Congress seems to think that you have budgeted several million dollars to fundamentally change the way you do business. And, to add icing to the cake, no computer technology currently exists that makes it possible to create a searchable database of designs.

Frighteningly, this legislation is moving very fast in Congress and it appears likely to be made into law soon. It is critically important to get trade associations and individual companies acting against the legislation, and contacting and meeting with key Congressional legislators as well as their own Senators and House Representatives. Please do not underestimate the importance of making your voice heard - it is the only thing that will prevent this legislation from becoming law.

Personalized letters talking about your own circumstances are the most persuasive. The most critical points to include in the very first paragraph of your letter are that (1) you are a constituent; (2) you are writing about the proposed "Orphan Works Act of 2006" now before the House Judiciary Committee, and (3) you are opposed to the bill.

You can identify your representative by entering your zip code here.

— Megan E. Gray



To read H.R. 5439 - The Orphan Works Act of 2006, click here.
Enter H.R. 5439 in the search box, and select the "Bill Number" search option. It will take you to a master page where you can monitor this Bill's status as it moves through the process. You can review who signs up to Co-sponsor the Bill, amendments that may be added, and all Congressional actions on votes and reports.

For additional information about Orphan Works developments, go to the IPA Orphan Works Resource Page for Artists here.
Or see IPA Forums: “Free Culture-The Copy Left Is Not Right.”
You may post responses or ask questions on these forums. First-time users will be asked to register.
You do not need to be an IPA member to use the IPA public Town Hall Forums.

Good Design Sells.


Penguin Books is undergoing a design renaissance, based on an unusual premise:

"To celebrate the 60th anniversary of Penguin Classics, another version of "The Odyssey," an extract beginning with Odysseus's return home from the Trojan War, has been published in the new Penguin Epics series. Featuring the most dramatic passages of 20 classic texts, including "Beowulf" and Dante's "Inferno," each Epic is designed in a glamorous neo-Gothic style by EstuaryEnglish. ‘These are stories of the brutality, drama and tragedy that people love in computer games,’ said Jim Stoddart, art director of Penguin Press. ‘By drawing on the visual language of computer games, we wanted to persuade games fans to read about the same themes in these books.’"

Read the rest of Alice Rawsthorn's International Herald Tribune article here. Be sure to check out the accompanying slide show, too.

Power to the Paper


Steven Heller interviews Carol Wells, director of the Center for the Study of Political Graphics, about the power of the poster to motivate.
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